I met Tim Richardson, almost accidentally, last September in London. I’m republishing a review of his still very relevant The New English Garden. Take a look if you haven’t read it.
Tim Richardson’s new book, The New English Garden, is a beautifully photographed, sensuously appealing volume slathered with full-page photographs and huge double-page spreads so large you feel you could fall into them. The book is a hedonistic delight and a source of many hour’s diversion and, if you’re so inclined, a pleasant opportunity for learning. Having my own recent experience with photographers who don’t know how to photograph gardens, the impressive work of photographers Andrew Lawson, Jane Sabire, and Rachel Warne is executed with knowledge and skill. One could hardly do better than study the photographs in this book to learn something about how to do it right.
Continue reading Book Review: The New English Garden by Tim Richardson
‘”I started collaging as an escape from making meaning. I got tired of writing poems, of trying to make sense – verbal sense. It is a relief to make a different kind of sense – visual sense. One must think, of course, but it is an entirely different kind of thinking, one in which language does not intrude.”‘
– from Garrison Keillor’s The Writer’s Almanac, quoting poet Mark Strand
Continue reading Broughton Grange: the garden with no point
(This review originally appeared on the Thinkingardens website.)
“The founding fathers of modern environmentalism, Henry David Thoreau and John Muir, promised that ‘in wildness is the preservation of the world.’ The presumption was that the wilderness was out there, somewhere … and that it would be the antidote for the poisons of industrial society. But of course the healing wilderness was as much the product of culture’s craving and culture’s framing as any other imagined garden… The wilderness, after all, does not locate itself, does not name itself… Nor could the wilderness venerate itself. It needed hallowing visitations from New England preachers…, photographers…, painters in oil…, and painters in prose… to represent it as … holy …”
–from Simon Schama’s Landscape and Memory
Continue reading Re-imagining nature – a review of Planting in a Post-Wild World by Thomas Rainer and Claudia West
This is sunset on Thursday as I drove through the Rosemont Valley nearing my home and garden in the country. It called to mind an image Tom Stuart-Smith briefly showed in his lecture at the New York Botanical Garden earlier in the day.
Continue reading On my way home … after a Tom Stuart-Smith Lecture