All images © Claire Takacs/Hardie Grant
Claire Takacs’ Dreamscapes: Inspiration and Beauty in Gardens Near and Far is a welcome addition to the canon of photographic garden books. This book of notable gardens, some very well known, some less so, is far more than another pretty coffee table book. Takacs (pronounced “Ta-kahsh” with a long “a” and accent on the second syllable) values light above all else, and she shoots her images in the light of early morning and at the end of day, in fog and mist, or in other singular lighting conditions. Her techniques create images that are gripping and compelling. (Her work is frequently seen in the best garden magazines.) As this new book shows, Takacs gives us a new way of seeing gardens. Continue reading A review of Dreamscapes: Inspiration and beauty in gardens near and far, by Claire Takacs
Autumn is a glorious season in the garden. I took this photo in the gravel garden at Chanticleer last weekend. I like complexity (not chaos; there is a difference). This teeters on the edge, but I think the striking forms of the Yucca rostrata and Agaves and trailing blue-gray ground cover make a strong, legible statement against the tapestry of clashing autumn colors. The golden early morning light makes it work. The contrast is shocking, but evocative of sense of place, in this case, Chanticleer, where you learn to expect the unexpected.
Continue reading Ending the season at Chanticleer
This image is of a type I’m fond of. Not abstract, exactly … but a view of the garden that isn’t possible with just the human eye. These “abstract” compositions, chance arrangements of plants and objects, rely on the camera’s inability to see in three dimensions … and, of course, my ability to frame what I see with a camera, not chance at all; conscious selection.
Continue reading Garden in the abstract